How Kodachrome influenced my life – This blog post by Cameron Davidson reveals what physical lens filters he used for certain types of lighting in the Kodakchrome era, but those same techniques can be adapted for use in photo enhancement software:
If you shot under fluorescent lighting you added a 30 or 40 magenta filter and nine times out of ten, you were good to go. If you needed a little pop for color at sunset or in the afterglow, you added a bit more magenta. Usually a twenty would do it.